Artist Statement

 

I am a contemporary visual artist and lecturer who is primarily interested in drawing, drawing research and development on an educational as well as on a personal level.  In my work I explore the transformative aspects of drawing related to identity formation and I investigate specific aspects between the psychological and the spiritual that could contribute towards the transformation of the self.

My recent body of work explores drawing that functions as a valuable vehicle which facilitates reciprocity between the drafter and her life-world.  I propose that this relationship of exchange can bring about transformation of the self.

My drawings are rooted in a psycho-analytical framework, focusing on Self psychology and Intersubjective Psychoanalysis of certain personality psychologists. Valuable links are forged between the transformative potential of drawing, the psychological and the spiritual. Through interactivity between the self and her life-world through drawing, moments of ‘recognition’ and ‘knowing’ occur – concerning hidden ‘truths’ of the self, which could affect personal transformation.  In my work, the “life-world” comprises inner and outer world, a visible and invisible world. The visible world focuses on the interaction of the self with nature and culture, and the invisible world focuses on the interaction of the self with a psychic world, which includes the workings of the conscious and unconscious mind in drawing and their connection with a spiritual dimension.

The spiritual aspect in drawing is researched through the notions of transformative “presence” and the “transcendent function” of drawing.  I explore the psychological and spiritual value of drawings as transformative selfobjects to address the general neglect of the spiritual.  Furthermore, I affirm that there exists a mutually conducive potential and influence that the interplay between the spiritual and the psychological in the drawing process bring about.   As a “selfobject”, a drawing attains its own ‘silent visual language’ replacing or assisting the role of the therapist, becoming pivotal in a transformative ‘interpersonal dialogue’.   Lastly, Jung (Miller, 2004:4) claims that the unification of the conscious and unconscious eventually results in “a living birth that leads to a new level of being, a new situation” (Miller, 2004:4).


Background
marieke

 

 

I  currently live and work as a visual artist and lecturer of drawing and printmaking at the Jack Meyer Art Centre in Paarl, South Africa.  I was brought up on a farm called “Rainbow’s End” in the Banhoek valley.  Being surrounded by the beauty of nature since childhood, I developed a growing desire to study art and completed my B.A. Fine Art Degree at the University of Stellenbosch in 1994 (majoring in Painting).  I moved to Johannesburg in 1996 and completed my M. Tech degree studies (cum laude) in Visual Art specializing in drawing and stone lithography at the University of Johannesburg.  After completing a 4 month student exchange, specializing in printmaking, at the Karel de Groote Hogeschool in Antwerp, Belgium, I returned to South Africa to finish my M.Tech studies with a solo exhibition at the Civic Gallery, Johannesburg in 1998.

Shortly after the birth of my first daughter, I moved back to Cape Town and worked as a Visual art and Design lecturer in various institutions.  I am currently employed as a Visual art educator at the Jack Meyer Art Centre in Paarl, which focuses on secondary Visual art and Design education.  Furthermore, I have been involved in various community art projects (through VANSA), presenting different drawing workshops for the Stellenbosch Art Society as well as my most recent involvement in drawing rehabilitation workshops, product development and research at the Freedom Drakenstein Correctional Services in Paarl (Old Victor Verster Prison).

I am constantly involved in the contemporary visual art scene in South Africa and abroad  –   I participated in various art projects and group shows as well as several solo exhibitions.  My first solo exhibition entitled “A Holy War” took place at the Civic Gallery (1998, Johannesburg, partial requirement for Masters studies) and was followed with several other solo shows – such as  “To a Promised Land” at the Bell-Roberts gallery, (August 2006) and a collaborative exhibition with the ceramicist, Dr Ralph Johnson entitled “Journeys” at the Grande Provence Gallery in Franschoek (March 2007).  These solo shows were followed with another solo exhibition at the ABSA Gallery in Johannesburg, entitled “About Face I” (February 2009) and a follow up solo show entitled “About Face II” was held at the Art-b Gallery in Belville during August 2009.

In November 2009, one of my daughters, Bethany, was diagnosed with cancer.  For the duration of her illness, I only took part in various group exhibitions during 2010.   In 2011 I was accepted to study for a second Masters degree in Visual art, specializing in drawing,  at the University of Stellenbosch.  I recently successfully completed this degree with a solo exhibition entitled “Reflecting Self” of my drawings as partial requirement towards obtaining the degree, at the Equus Gallery, Cavalli Estate in October/November 2014.

I am currently reading and researching towards a proposed PhD study (hopefully to submit my final proposal towards this end in September/October 2017) on the sublime and its transformative effects on the self and the other through the power of large scale suggestive drawing trace.  This proposed study will continue to build on previous notions explored in my body of work that was done in my recent Masters degree show entitled “Reflecting Self”.

My daughter, Bethany at the opening night of "Reflecting Self" - finally healed and happy after her struggle with cancer.

My daughter, Bethany at the opening night of my solo exhibition entitled,  “Reflecting Self”.